The critic's part : Wystan Curnow art writings 1971-2013 / edited by Christina Barton and Robert Leonard ; with Thomasin Sleigh.
Contributor(s): Barton, Christina [editor of compilation.] | Leonard, Robert [editor of compilation.] | Sleigh, Thomasin [editor of compilation.] | Adam Art Gallery [issuing body.] | Victoria University Press [issuing body.] | Institute of Modern Art (Brisbane, Qld.).Material type: BookPublisher: Wellington, New Zealand : Brisbane, QLD : Adam Art Gallery, Te Pātaka Toi : in association with Victoria University Press ; Institute of Modern Art , 2014Copyright date: ©2014Description: 10 unnumbered pages, 478 pages : illustrations ; 24 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 9780864739322.Subject(s): Art, New Zealand -- 20th century | Painting, New Zealand -- 20th century | Artists -- New ZealandDDC classification: 709.93
|Item type||Current location||Collection||Call number||Copy number||Status||Date due|
|Non-Fiction||Davis (Central) Library Non-Fiction||Non-Fiction||709.93 CUR||1||Available|
|Unavailable: Gallery & Museum only||
Sarjeant Gallery Library
Gordon Brown Collection
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Enhanced descriptions from Syndetics:
Wystan Curnow is New Zealand's longest-serving and, arguably, most important art critic. This edited collection brings together a selection of his art writings from 1971 to 2013 to provide the first comprehensive overview of his practice. Selectively drawing on his considerable output, the publication features Curnow's long-form essays that investigate the stakes for "high culture" in a "small province" like New Zealand. It includes major essays on key artists, including Len Lye, Colin McCahon, Billy Apple, Stephen Bambury, Max Gimblett, and Imants Tillers, and vivid reports on the contemporary art scene. Catalog essays and short reviews offer insightful readings of art and artists in all their material and conceptual specificity. Both a map of contemporary theory and practice and a cogent agenda for thinking through the implications and challenges of making art here, this compilation is an essential companion for anyone interested in New Zealand art as it has unfolded since 1970.
"Encompasses texts written over more than forty years for very different contexts, occasions, and audiences."--Foreword.
Includes bibliographical references and index.
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