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Frame 232 [text (large print)] : a Jason Hammond novel / Wil Mara.

By: Material type: TextTextPublisher: Thorndike, Maine : Center Point Large Print, 2013Edition: Center Point Large Print editionDescription: 519 pages (large print) ; 23 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781611737820 (library binding : alk. paper)
  • 1611737826 (library binding : alk. paper)
Other title:
  • Frame two hundred thirty-two
Subject(s): Genre/Form: LOC classification:
  • PS3613.A725 F73 2013b
Summary: When she inherits all her parents' possessions upon their deaths, Sheila Baker discovers their intimate link to the President Kennedy assassination, and is soon on the run from people who would stop at nothing to keep those secrets buried.
Holdings
Item type Current library Collection Call number Status Date due Barcode Item holds
Large Print Davis (Central) Library Large Print Large Print MAR Available T00584598
Total holds: 0

Enhanced descriptions from Syndetics:

The time had come, she decided, to rid herself of this burden, to take the steps necessary to put the matter to rest once and for all. And the first step, she knew -- against every instinct and desire -- was to watch that film.

When she inherits all her parents' possessions upon their deaths, Sheila Baker discovers their intimate link to the President Kennedy assassination, and is soon on the run from people who would stop at nothing to keep those secrets buried.

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Reviews provided by Syndetics

Publishers Weekly Review

What if the Zapruder film was not the only footage taken of President Kennedy's assassination in Dallas on 11/22/63? That provocative notion is the best thing about this uneven thriller, which has a powerful beginning. Margaret Baker, having played hooky from her job at a doctor's office to see the president on his fateful visit to Dallas, captures the shooting on her 8 mm movie camera. Traumatized by what she's witnessed, Margaret delays getting her film developed, but when she finally does, she's stunned to see a second shooter. Fearful of the repercussions of her discovery, she leaves the footage in a safe-deposit box, which is opened in the present by her daughter, Sheila. Sheila soon finds herself in the crosshairs of those who want to suppress this proof of a conspiracy, and she must enlist the aid of a young billionaire who uses his fortune to investigate historical mysteries. By the conclusion, Mara (Wave) has dissipated the story's initial energy by resorting to countless genre cliches. (July) (c) Copyright PWxyz, LLC. All rights reserved.

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