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And when she was good / Laura Lippman.

By: Lippman, Laura, 1959-.
Material type: TextTextPublisher: New York : William Morrow, c2012Edition: First edition.Description: 314 pages ; 24 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 9780061706875 (hc.); 0061706876 (hc.).Subject(s): Single mothers -- Fiction | Escort services -- Fiction | Prostitutes -- Fiction | Custody of children -- Fiction | Murder -- Fiction | Judicial error -- Fiction | Prisoners -- FictionGenre/Form: Thrillers (Fiction) | Psychological fiction. | Detective and mystery fiction. DDC classification: 813/.54 | 813 Summary: Suburban madam Heloise, with no one left to trust, decides to get out of the game when another suburban madam is brutally murdered, forcing her to stay one step ahead of a killer--and the father of her child--who is just as lethal behind bars as he was on the outside.
Fiction notes: Click to open in new window
Item type Current location Collection Call number Copy number Status Date due Barcode Item holds
Fiction Davis (Central) Library
Fiction Collection
Fiction Collection LIP 1 Checked out 01/06/2021 T00521608
Fiction Davis (Central) Library
Fiction Collection
Fiction Collection LIP 2 Available T00543264
Total holds: 0

Enhanced descriptions from Syndetics:

<p>Already praised as "a writing powerhouse" (USA Today) and "among the select group of novelists who have invigorated the crime fiction arena with smart, innovative, and exciting work" (George Pelecanos), New York Times bestseller Laura Lippman is constantly sending reviewers back to their thesauruses in search of new and greater accolades.</p> <p>Her brilliant stand-alone novel, And When She Was Good, only reinforces the fact that she stands tall among today's bestselling elite--including Kate Atkinson, Tana French, Jodi Picoult, and Harlan Coben (who raves, "I love her books!") Based on her acclaimed, multi-award-nominated short story "Scratch a Woman," And When She Was Good is the powerfully gripping, intensely emotional story of a suburban madam, a convicted murderer whose sentence is about to be overturned, and the child they will both do anything to keep.</p> <p>Lippman has already won virtually every prize the mystery genre has to offer--the Edgar®, Anthony, Agatha, and Nero Wolfe Awards, to name but a few. They'll now have to invent a few new awards just to keep up with her.</p>

Suburban madam Heloise, with no one left to trust, decides to get out of the game when another suburban madam is brutally murdered, forcing her to stay one step ahead of a killer--and the father of her child--who is just as lethal behind bars as he was on the outside.

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Reviews provided by Syndetics

Library Journal Review

Heloise is a suburban single mother who runs her own business, keeping the needs of her employees and her young son balanced on a knife's edge. She's also a former prostitute whose "consulting" business is actually an escort service with a client roster that includes politicians, lawyers, and other powerful men in Baltimore, Annapolis, and Washington, DC. Heloise has kept her life carefully compartmentalized for years, but those lines start to waver and disappear, beginning with the apparent suicide of another local madam. The police officer who's acted as her protector leaves the department, the accountant who used to turn a blind eye starts asking uncomfortable questions, a pal from the old days tries to blackmail her, and a former employee threatens to sue over the HIV she contracted while in Heloise's employ. Worst of all, though, the most dangerous, violent man from her past may soon be released from prison and looking for revenge. -VERDICT Lippman's (I'd Know You Anywhere) recent novels have skirted the line between mysteries and mainstream fiction, and this one is no different. While the author slowly ratchets up the tension until the final, blood-drenched showdown, this is really a story about a woman wresting control of her life from the men who done her wrong and then using her considerable resources to defend what she's built. It's a page-turner, but often an uncomfortable one, as enough of Heloise's backstory is included for readers to understand some of her more unsavory decisions. What may seem like a dropped plot point concerning her stepsister, Meghan, is actually a callback to a connected novella, "Scratch a Woman," which appears in the 2008 collection Hardly Knew Her, but the novel easily can be enjoyed on its own.-Stephanie Klose, Library Journal (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Review

The consequences of long-buried secrets involving misogyny, motherhood, and morality play out in this excellent stand-alone set in suburban Maryland from Edgar-winner Lippman (The Most Dangerous Thing). Introduced in the novella "Scratch a Woman," Heloise Lewis is a survivor who rose from the ashes of her past to run a profitable call-girl service, occasionally meeting special clients herself. To her neighbors, she's a young widow and a devoted mother who never misses her son Scott's ball games at his middle school. To the IRS, she's a lobbyist with several women on her payroll and a medical plan. But Heloise's carefully constructed life is falling apart because Val Deluca, her son's father, who also was her former pimp, may be released from prison. Val doesn't know he's Scott's father or that Heloise's betrayal put him behind bars for murder. Shifting smoothly from Heloise's past to her present, Lippman delivers an intense character study about a strong, complex woman whose love for her son compels her to make some desperate choices. Agent: Vicky Bijur, Vicky Bijur Literary. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved.

Booklist Review

*Starred Review* Readers first met Heloise, a brainy madam with class, in award-winning crime writer Lippman's stellar short story collection, Hardly Knew Her (2008). In her eighteenth book, Lippman deepens her distinctively ironic and caring inquiry into the hypocrisy and sleaze of Baltimore and the endless array of oppressive and violent acts against women that take place the world over. Heloise runs an airtight operation with a devilishly clever cover, a fail-safe filing-shredding system, and a firewall around her son, who believes that his father is dead, although Heloise's tyrannical and murderous former lover and pimp is in prison instead. Lippman maps the path of abuse and betrayal that turns an honor student into a prostitute who risks her life to sneak off to the library and finally liberates herself. Vigilant Heloise feels reasonably secure until she reads the headline Suburban Madam Dead in Apparent Suicide, the start of harrowing disclosures that put everything she's worked so hard to achieve in danger. Lippman, so smart, clear-sighted, and polished and yet so intense and furious, surveys the intersection of perpetual misogyny and the criminality of sex work in this psychologically astute, diabolically witty, intricately suspenseful, and stylishly righteous tale of atrocities and revenge. HIGH-DEMAND BACKSTORY: A full-powered national publicity campaign, including an author tour and major online appearances, will whip up big enthusiasm for the much-admired Lippman's latest superb novel.--Seaman, Donna Copyright 2010 Booklist

Kirkus Book Review

Lippman (The Most Dangerous Thing, 2011, etc.), who specializes in tales of feckless parents and their luckless kids, puts a madam at the center of her latest dysfunctional family. At first, nothing could be more conventional than the Lewis family saga. Helen's father, already married with two children to his credit, knocks up her mother, Beth, a 19-year-old carhop. He moves in with Beth but hangs around his ex-wife Barbara enough to give Helen a half sister, Meghan, only six months younger. As Beth and Barbara tussle over worthless Hector, he focuses on tormenting Helen, telling her that she has "a nothing face," breaking her record albums and forcing her to get a job that interferes with her schoolwork. It's while waitressing at Il Cielo that she meets Billy, the owner's stepson, who lures her to Baltimore with promises of marriage. Instead, he turns her out, making her earn money to feed his drug habit by doing lap dances at a local strip club. That's where she meets Val Deluca, whose red hair matches his fiery temper. Val offers Helen a nice house and a better class of client, all for doing what she's already doing. He also gives her the chance to be something she'd never dreamed of: a mother. That's when Helen's tale goes off the beaten path. Before he learns about Helen's delicate condition, Val is jailed for murder, and Helen reinvents herself as Heloise Lewis, running the business at a level Val had never achieved. She recruits college girls with delicately worded ads for escorts and serves clients who include state legislators, all while presenting herself as a lobbyist for the Women's Full Employment Network. But when another suburban madam turns up dead, Heloise realizes that the safe, comfortable life she's crafted for herself and her beloved son, Scott, in affluent Turner's Grove is at risk. Like Mary Cassatt, Lippman studies families with a different eye than her male contemporaries, showing the heartbreaking complexity of life with those you love.]] Copyright Kirkus Reviews, used with permission.