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Ratlines [text (large print)] / Stuart Neville.

By: Neville, Stuart, 1972-.
Material type: materialTypeLabelBookPublisher: Leicester : Charnwood ; Thorpe, 2013Edition: Large print edition.Description: 431 pages (large print) ; 24 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 9781444817010 (hbk.); 1444817019.Subject(s): Ex-Nazis -- Ireland -- Fiction | Murder -- Investigation -- Fiction | Secrets -- Fiction | Ireland -- History -- 20th century -- FictionGenre/Form: Thrillers (Fiction) | Historical fiction. | Science fiction. | Detective and mystery fiction. | Detective and mystery stories. | Large type books.DDC classification: NEV Summary: "Ireland, 1963. A German businessman is murdered in a seaside guesthouse. He is the third foreign national to die within a few days, and Minister for Justice Charles Haughey is desperate to protect a shameful secret: the men were all former Nazis, granted asylum by the Irish government. Lieutenant Albert Ryan is ordered to investigate the murders and protect Hitler's favourite commando, Colonel Skorzeny, once called the most dangerous man in Europe. But as he infiltrates Ireland's secret network of former Nazis and collaborators, Ryan must make a terrible choice: his country or his conscience?" --Publisher description.
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Enhanced descriptions from Syndetics:

Ireland, 1963: as the Irish people prepare to welcome President Kennedy to the land of his ancestors, a German is murdered in a seaside guesthouse. He is the third foreign national to die within a few days, and Minister for Justice Charles Haughey is desperate to protect a shameful secret: the dead men were all former Nazis granted asylum by the Irish government. Albert Ryan, Directorate of Intelligence, is ordered to investigate the crimes. But as he infiltrates Ireland's secret network of former Nazis and collaborators, Ryan faces a difficult choice between country and conscience.

Complete and unabridged.

Originally published: London: Harville Secker, 2013.

"Your country or your conscience" --Cover.

"Ireland, 1963. A German businessman is murdered in a seaside guesthouse. He is the third foreign national to die within a few days, and Minister for Justice Charles Haughey is desperate to protect a shameful secret: the men were all former Nazis, granted asylum by the Irish government. Lieutenant Albert Ryan is ordered to investigate the murders and protect Hitler's favourite commando, Colonel Skorzeny, once called the most dangerous man in Europe. But as he infiltrates Ireland's secret network of former Nazis and collaborators, Ryan must make a terrible choice: his country or his conscience?" --Publisher description.


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Excerpt provided by Syndetics

CHAPTER ONE "You don't look like a Jew," Helmut Krauss said to the man reflected in the window pane. Beyond the glass, rolling white waves threw themselves against the rocks of Galway Bay, the Atlantic glowering beyond. The guesthouse in Salthill was basic, but clean. The small seaside town outside Galway City hosted families from all over Ireland seeking a few days of salt air and sunshine during the summer months. Sometimes it provided beds for unmarried couples, fornicators and adulterers with the nerve to bluff their way past the morally upright proprietors of such establishments. Krauss knew so because he had enjoyed the company of several ladies in guesthouses like this one, taking bracing walks along the seafront, enduring overcooked meals in mostly empty dining rooms, then finally rattling the headboard of whatever bed they had taken. He carried a selection of wedding rings in his pocket, alongside the prophylactics. This dreary island, more grey than green, so choked by the Godly, provided him few pleasures. So why not enjoy the odd sordid excursion with a needful woman? Perhaps Krauss should have allowed himself the luxury of a decent hotel in the city, but a funeral, even if for a close friend, did not seem a fitting occasion. The security might have been better, though, and this visitor might not have gained entry so easily. For a moment, Krauss felt an aching regret, but immediately dismissed it as foolishness. Had he been the kind of man who submitted to regret, he would have hanged himself ten years ago. "Are you a Jew?" Krauss asked. The reflection shifted. "Maybe. Maybe not." "I saw you at the funeral," Krauss said. "It was a beautiful service." "Very," the reflection said. "You wept." "He was a good man," Krauss said. He watched seagulls as they skated the updrafts. "He was a murderer of women and children," the reflection said. "Like you." "Murderer," Krauss said. "Your accent is British. For many people in Ireland, you British are murderers. Oppressors. Imperialists." The reflection swelled on the glass as the man approached. "You hide your accent well." "I enjoy the spoken word. To a fault, perhaps, but I spend time refining and practicing my speech. Besides, a German accent still draws attention, even in Ireland. They shelter me, but not all make me welcome. Some cling to their British overmasters like a child too old for the teat." Krauss had felt the weight of his age more frequently in recent times. His thick black hair had greyed, the sculpted features turned cragged. The veins in his nose had begun to rupture with the vodka and wine. Women no longer stared at him with hungry eyes when he took his afternoon walks through Dublin's Ringsend Park. But he still had good years ahead of him, however few. Would this man steal them from him? "Have you come to kill me too?" he asked. "Maybe. Maybe not," the reflection said. "May I take a drink, perhaps smoke a cigarette?" "You may." Krauss turned to him. A man of middle age, between forty and forty five, old enough to have served in the war. He had looked younger across the cemetery, dressed in the overalls of a gravedigger, but proximity showed the lines on his forehead and around his eyes. Sand-coloured hair strayed beneath the woollen cap on his head. He held a pistol, a Browning fitted with a suppressor, aimed squarely at Krauss's chest. It shook. "Would you care for a small vodka?" Krauss asked. "Perhaps it will steady your nerve." The man considered for a few seconds. "All right," he said. Krauss went to the nightstand where a bottle of imported vodka and a tea making set waited next to that morning's Irish Times. The front page carried a headline about the forthcoming visit of President John F Kennedy, a story concerning a request by the Northern Irish government that he should venture across the border during his days on the island. The Irish worshipped the American leader because he was one of theirs, however many generations removed, and anticipation of his arrival had reached a point of near hysteria. Krauss intended to avoid all radio and television broadcasts for the duration of Kennedy's stay. Not that it mattered now. Krauss turned two white teacups over and poured a generous shot into each. He went to soften one with water from a jug, but the man spoke. "No water, thank you." Krauss smiled as he handed a cup to the man. "No glasses, I'm afraid. I hope you don't mind." The man nodded his thanks as he took the cup with his left hand. Undiluted vodka spilled over the lip. He took a sip and coughed. Krauss reached into the breast pocket of his best black suit. The man's knuckle whitened beneath the trigger guard. Krauss slowed the movement of his hand and produced a gold cigarette case. He opened it, and extended it to the man. "No, thank you." The man did not flinch at the engraved swastika as Krauss had hoped. Perhaps he wasn't a Jew, just some zealous Briton. Krauss took a Peter Stuyvesant, his only concession to Americanism, and gripped it between his lips as he snapped the case closed and returned it to his pocket. He preferred Marlboro, but they were too difficult to come by in this country. He took the matching lighter from his trouser pocket and sucked the petrol taste from its flame. The set had been a Christmas gift from Wilhelm Frick. Krauss treasured it. Blue smoke billowed between the men. "Please sit," Krauss said, indicating the chair in the corner. He lowered himself onto the bed and drew deeply on the cigarette, letting the heat fill his throat and chest. "May I know your name?" he asked. "You may not," the man said. "All right. So why?" The man took another sip, grimaced at the taste, and placed the cup on the windowsill to his left. "Why what?" "Why kill me?" "I haven't decided if I'll kill you or not, yet. I want to ask a few questions first." Krauss sighed and leaned back against the headboard, crossing his legs on the lumpy mattress. "Very well." "Who was the well-dressed Irishman you spoke with?" "An insultingly junior civil servant," Krauss said. Eoin Tomalty had given Krauss's hand a firm shake after the ceremony. "The minister sends his condolences," Tomalty had said. "I'm sure you'll understand why he was unable to attend in person." Krauss had smiled and nodded, yes, of course he understood. "A civil servant?" the man asked. "The government actually sent a representative?" "A matter of courtesy." "Who were the others there?" "You already know," Krauss said. "You know me, so you must know them." "Tell me anyway." Krauss rhymed them off. "Célestin Lainé, Albert Luykx, and Caoimhín Murtagh representing the IRA." "The IRA?" "They are fools," Krauss said. "Yokels pretending to be soldiers. They still believe they can free Ireland from you British. But they are useful fools, so we avail of their assistance from time to time." "Such as arranging funerals." "Indeed." The man leaned forward. "Where was Skorzeny?" Krauss laughed. "Otto Skorzeny does not waste his precious time with common men like me. He is far too busy attending society parties in Dublin, or entertaining politicians at that damn farm of his." The man reached inside his jacket pocket and produced a sealed envelope. "You will pass this message to him." "I'm sorry," Krauss said. "I cannot." "You will." "Young man, you misunderstand me," Krauss said. He downed the rest of the vodka and placed the cup back on the bedside table. "I admit to being verbose at times, it is a failing of mine, but I believe I was clear on this. I did not say 'I will not'. I said 'I cannot'. I have no access to Otto Skorzeny, not socially, not politically. You'd do better going to one of the Irish politicians that gather to his flame." The man got to his feet, approached the bed, keeping the Browning's aim level. With his free hand, he opened Krauss's jacket and stuffed the envelope down into the breast pocket. "Don't worry. He'll get it." Krauss felt his bowel loosen. He drew hard on the cigarette, burning it down to the filter, before stubbing it out in the ashtray that sat on the bedside locker. The man's hand steadied. Krauss sat upright, swung his legs off the bed, and rested his feet on the floor. He straightened his back and placed his hands on his knees. Fixing his gaze on the horizon beyond the window, Krauss said, "I have money. Not much, but some. It would have been enough to see out my days. You can have it. All of it. I will flee. The rain in this damn place makes my joints ache anyway." The Browning's suppressor nudged his temple. "It's not that simple," the man said. Krauss hauled himself to his feet. The man stood back, the pistol ready. "Yes it is," Krauss said, his voice wavering as he fought the tears. "It is that simple. I am nothing. I was a desk clerk. I signed papers, stamped forms, and got piles from sitting on a wooden chair in the dark and the damp." The man pressed the muzzle against the centre of Krauss's forehead. "Those papers you signed. You slaughtered thousands with a pen. Maybe that's how you live with it, tell yourself it was just a job, but you knew where--" Krauss swiped at the pistol, grabbed it, forced it down, throwing the other man's balance. The man regained his footing, hardened his stance. His countenance held its calm, only the bunching of his jaw muscles betraying his resistance. Sweat prickled Krauss's skin and pressure built in his head. He hissed through his teeth as he tried to loosen the man's fingers. The man raised the weapon, his strength rendering Krauss's effort meaningless. Their noses almost touched. Krauss roared, saw the wet points of spittle he sprayed on the man's face. He heard a crack, felt a punch to his stomach, followed by wet heat spreading across his abdomen. His legs turned to water, and he released his hold on the barrel. He crumpled to his knees. His hands clutched his belly, red seeping between his fingers. Hot metal pressed against Krauss's temple. "It's better than you deserve," the man said. If he'd had the time, Helmut Krauss would have said, "I know." CHAPTER TWO Albert Ryan waited with the director, Ciaran Fitzpatrick, in the outer office, facing the secretary as she read a magazine. The chairs were creaky and thin-cushioned. Ryan endured while Fitzpatrick fidgeted. Almost an hour had passed since Ryan had met the director in the courtyard surrounded by the grand complex of buildings on Upper Merrion Street. The northern and southern wings were occupied by various government departments, and the Royal College of Science resided beneath the dome that reached skyward on the western side of the quadrangle. Ryan had expected to be ushered into the minister's presence upon arrival, and by the look of him, so had Fitzpatrick. Ryan had left his quarters at Gormanston Camp as the sky lightened, turning from a deep bluish grey to a milky white as he walked the short distance to the train station. Two horses grazed in the field across from the platform, their bellies sagging, their coats matted with neglect. They nickered to each other, the sound carrying on the salt breeze. The Irish Sea stretched out beyond like a black marble table. The train had arrived late. It filled slowly with tobacco smoke and slack-faced men as it neared Dublin, stopping at every point of civilisation along the way. Almost all of the passengers wore suits, whether dressed for their day's work in some government office, or wearing their Sunday best for a visit to the city. Ryan also wore a suit, and he always enjoyed the occasion to do so. A meeting with the Minister for Justice certainly warranted the effort. He had walked south from Pearse Station to Merrion Street and watched the director's face as he approached. Fitzpatrick had examined him from head-to-toe before nodding his begrudged approval. "Inside," he'd said. "We don't want to be late." Now Ryan checked his watch again. The minute hand ticked over to the hour. He'd heard the stories about the minister. A politician with boundless ambition and the balls to back it up. The upstart had even married the boss's daughter, become son-in-law to the Taoiseach, Ireland's prime minister. Some called him a shining star in the cabinet, a reformist kicking at the doors of the establishment; others dismissed him as a shyster on the make. Everyone reckoned him a chancer. The door opened, and Charles J. Haughey entered. "Sorry for keeping you waiting, lads," he said as Fitzpatrick stood. "It was sort of a late breakfast. Come on through." "Coffee, Minister?" the secretary asked. "Christ, yes." Ryan got to his feet and followed Haughey and Fitzpatrick into the minister's office. Once inside, Haughey shook the director's hand. "Is this our man Lieutenant Ryan?" he asked. "Yes, Minister," Fitzpatrick said. Haughey extended his hand towards Ryan. "Jesus, you're a big fella, aren't you? I'm told you did a good job against those IRA bastards last year. Broke the fuckers' backs, I heard." Ryan shook his hand, felt the hard grip, the assertion of dominance. Haughey stood taller than his height should have allowed, and broad, his dark hair slicked back until his head looked like that of a hawk, his eyes hunting weakness. He had only a couple of years seniority over Ryan, but his manner suggested an older, worldlier man, not a young buck with a higher office than his age should merit. "I did my best, Minister," Ryan said. It had been a long operation, men spending nights dug into ditches, watching farmers come and go, noting the visitors, sometimes following them. The Irish Republican Army's Border Campaign had died in 1959, its back broken long ago, but Ryan had been tasked with making sure its corpse remained cold and still. "Good," Haughey said. "Sit down, both of you." They took their places in leather upholstered chairs facing the desk. Haughey went to a filing cabinet, whistled as he fished keys from his pocket, unlocked a drawer, and extracted a file. He tossed it on the desk's leather surface and sat in his own chair. It swivelled with no hint of creak or squeak. An Irish tricolour hung in the corner, a copy of the Proclamation of the Irish Republic on the wall, along with pictures of racehorses, lean and proud. "Who made your suit?" Haughey asked. Ryan sat silent for a few seconds before he realised the question had been spoken in his direction. He cleared his throat and said, "The tailor in my home town." "And where's that?" "Carrickmacree." "Jesus." Haughey snorted. "What's your father, a pig farmer?" "A retailer," Ryan said. "A shopkeeper?" "Yes," Ryan said. Haughey's smile split his face, giving his mouth the appearance of a lizard's, his tongue wet and shining behind his teeth. "Well, get yourself something decent. A man should have a good suit. You can't be walking around government offices with the arse hanging out of your trousers, can you?" Ryan did not reply. "You'll want to know why you're here," Haughey said. "Yes, Minister." "Did the director tell you anything?" "No, Minister." "Proper order," Haughey said. "He can tell you now." Fitzpatrick went to speak, but the secretary bustled in, a tray in her hands. The men remained silent while she poured coffee from the pot. Ryan refused a cup. When she'd gone, Fitzpatrick cleared his throat and turned in his seat. "The body of a German national was found in a guesthouse in Salthill yesterday morning by the owner. It's believed he died the previous day from gunshot wounds to the stomach and head. His name was Helmut Krauss, and he had been resident in Ireland since late 1949. The Garda Síochána were called to the scene, but when the body's identity was established, the matter was referred to the Department of Justice, and then to my office." "Who was he?" Ryan asked. "Here, he was Heinrich Kohl, a small businessman, nothing more. He handled escrow for various import and export companies. A middle man." "You say 'Here'," Ryan said. "Meaning elsewhere, he was something different." "Elsewhere, he was SS-Hauptsturmführer Helmut Krauss of the Main SS Economic and Administrative Department. That sounds rather more impressive than it was in reality. I believe he was some sort of office worker during the Emergency." Government bureaucrats seldom called it the war, as if to do so would somehow dignify the conflict that had ravaged Europe. "A Nazi," Ryan said. "If you want to use such terms, then yes." "May I ask, why aren't the Galway Garda Síochána dealing with this? It sounds like a murder case. The war ended eighteen years ago. This is a civilian crime." Haughey and the Fitzpatrick exchanged a glance. "Krauss is the third foreign national to have been murdered within a fortnight," the director said. "Alex Renders, a Flemish Belgian, and Johan Hambro, a Norwegian. Both of them were nationalists who found themselves aligned with the Reich when Germany annexed their respective countries." "And you assume the killings are connected?" Ryan asked. "All three men were shot at close range. All three men were involved to some extent in nationalist movements during the Emergency. It's hard not to make the logical conclusion." "Why were these men in Ireland?" "Renders and Hambro were refugees following the liberation of their countries by the Allies. Ireland has always been welcoming to those who flee persecution." "And Krauss?" Fitzpatrick went to speak, but Haughey interrupted. "This case has been taken out of the Guards' hands as a matter of sensitivity. These people were guests in our country, and there are others like them, but we don't wish to draw attention to their presence here. Not now. This is an important year for Ireland. The President of the United States will visit these shores in just a few weeks. For the first time in the existence of this republic, a head of state will make an official visit, and not just any head of state. The bloody leader of the free world, no less. Not only that, he'll be coming home, to the land of his ancestors. The whole planet will be watching us." Haughey's chest seemed to swell as he spoke, as if he were addressing some rally in his constituency. "Like the director said, these men were refugees, and this state offered them asylum. But even so, some people, for whatever reason, might take exception to men like Helmut Krauss living next door. They might make a fuss about it, the kind of fuss we could be doing without while we're getting ready for President Kennedy to arrive. There's people in America, people on his own staff, saying coming here's a waste of time when he's got Castro in his back yard, and the blacks causing a ruckus. They're advising him to cancel his visit. They get a sniff of trouble, they'll start insisting on it. So it's vital that this be dealt with quietly. Out of the public gaze, as it were. That's where you come in. I want you to get to the bottom of this. Make it stop." "And if I don't wish to accept the assignment?" Haughey's eyes narrowed. "I must not have made myself clear, Lieutenant. I'm not asking you to investigate this crime. I'm ordering you." "With all due respect, Minister, you don't have the authority to order me to do anything." Haughey stood, his face reddening. "Now hold on, big fella, just who the fuck do you think you're talking to?" Fitzpatrick raised his hands, palms up and out. "I'm sorry, Minister, all Lieutenant Ryan means is that such an order should come from within the command structure of the Directorate of Intelligence. I'm sure he meant no disrespect." "He better not have," Haughey said, lowering himself back into his chair. "If he needs an order from you, then go on and give it." Fitzpatrick turned back to Ryan. "As the Minister said, this is not a voluntary assignment. You will be at his disposal until the matter is resolved." "All right," Ryan said. "Are there any suspects in the killings?" "Not as yet," Haughey said. "But the obvious train of thought must be Jews." Ryan shifted in his seat. "Minister?" "Jewish extremists," Haughey said. "Zionists out for revenge, I'd say. That will be your first line of inquiry." Ryan considered arguing, decided against it. "Yes, minister." "The Guards will give assistance where needed," the director said. "We'd prefer that be avoided, of course. The fewer people involved in this the better. You will also have the use of a car, and a room at Buswells Hotel when you're in the city." "Thank you, sir." Haughey opened the file he had taken from the cabinet. "There's one more thing you should be aware of." He lifted an envelope from the file, gripping it by its corner. One end of it was a deep brownish red. Ryan took the envelope, careful to avoid the stained portion. It had been cut open along its top edge. He turned the envelope to read the words typed on its face. Otto Skorzeny. Ryan said the name aloud. "You've heard of him?" Haughey asked. "Of course," Ryan said, remembering images of the scarred face in the society pages of the newspapers. Any soldier versed in commando tactics knew of Skorzeny. The name was spoken with reverence in military circles, regardless of the Austrian's affiliations. Officers marvelled at Skorzeny's exploits as if recounting the plot of some adventure novel. The rescue of Mussolini from the mountaintop hotel that served as his prison stirred most conversation. The daring of it, the audacity, landing gliders on the Gran Sasso cliff edge and sweeping Il Duce away on the wind. Ryan slipped his fingers into the envelope and extracted the sheet of paper, unfolded it. The red stain formed angel patterns across the fabric of the page. He read the typewritten words. SS-Obersturmbannführer Skorzeny, We are coming for you. Await our call. "Has Skorzeny seen this?" Ryan asked. Fitzpatrick said, "Colonel Skorzeny has been made aware of the message." "Colonel Skorzeny and I will be attending a function in Malahide in a few days," Haughey said. "You will report to us there with your findings. The director will give you the details. Understood?" "Yes, Minister." "Grand." Haughey stood. He paused. "My tailor," he said, tearing a sheet from a notepad. He scribbled a name, address and phone number. "Lawrence McClelland on Capel Street. Go and see him, have him fit you up with something. Tell him to put it on my account. Can't be putting you in front of a man like Otto Skorzeny wearing a suit like that." Ryan dropped the bloody envelope on the desk and took the details from Haughey. He kept his face expressionless. "Thank you, Minister," he said. Fitzpatrick ushered Ryan towards the door. As they went to exit, Haughey called, "Is it true what I heard? That you fought for the Brits during the Emergency?" Ryan stopped. "Yes, Minister." Haughey let his gaze travel from Ryan's shoes to his face in one long distasteful stare. "Sort of young, weren't you?" "I lied about my age." "Hmm. I suppose that would explain your lack of judgement." Excerpted from Ratlines by Stuart Neville All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Library Journal Review

At the end of World War II, several denazified Germans found sanctuary in Ireland, among them notorious SS officer Otto Skorzeny. Best known as the commando who rescued deposed dictator Mussolini from his mountain prison in Italy, Skorzeny set up some of the "ratlines" that served as escape routes for Nazis fleeing Allied justice. Drawing on these historical tidbits, Irish author Neville (Stolen Souls) crafts an engaging crime story set in 1963, just weeks before President Kennedy's visit to Ireland. Several murders have upset the Minister of Justice in Dublin, a man known to be friendly with Skorzeny. The victims are all ex-Nazis formerly granted asylum by the government. Intelligence agent Albert Ryan is tasked with solving the crimes before they embarrass the country and sabotage Kennedy's visit. VERDICT Neville, whose debut, The Ghosts of Belfast, won the 2010 Los Angeles Times Book Prize for Best Mystery/Thriller, concocts a believable plot with an intriguing protagonist torn between duty to country and his distaste for Nazi criminals. Fans of Jack Higgins and Ken Follett will enjoy this novel, though some readers may find graphic scenes of torture difficult to bear.-Ron Terpening, Univ. of Arizona, Tucson (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Review

Set on the eve of President Kennedy's 1963 visit to Ireland, this thrilling, historically informed stand-alone from Irish author Neville (Stolen Souls) charts the efforts of Irish intelligence officer Albert Ryan to discover who murdered three Nazis granted asylum in Ireland after WWII. Ryan has to be wary of real-life Col. Otto Skorzeny, one of the most dangerous surviving Nazis, to whom a note on one of the bodies was addressed: "We are coming for you." In his digging, Ryan learns of the titular "ratlines," the secret routes use to ferry postwar Nazis from one safe place to another. Complicating Ryan's investigation is his growing attraction to Celia Hume, a woman of mysterious means whose job it is to charm important men and ascertain secrets. As Ryan tracks the killer, he meets Mossad agent Goren Weiss, who's intent on getting to Skorzeny. Readers will hope to see more of Ryan, a formidable yet damaged hero. Agent: Nat Sobel, Sobel Weber Associates. Author tour. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved.

Booklist Review

Students of history and readers of historical-crime fiction are used to finding Nazis in the unlikeliest places but Ireland? That's one refuge many of us may have missed. It's 1963, and Lieutenant Albert Ryan of the Directorate of Intelligence is tasked with solving a string of murders. The dead were all Nazis and collaborators, and on the eve of JFK's presidential visit, their identities could prove embarrassing to his hosts. The investigation proves a minefield, with Ryan unsure whether he's reporting to the minister of justice, Charles Haughey, or Otto Skorzeny, a renowned Nazi commando now living quite comfortably on the Emerald Isle (Slorzeny obviously has a personal interest in the case). Neville writes wonderfully, setting the scene in precise, economical prose; pitting well-defined, historically inspired characters in opposition to each other; and tangling the plotlines tantalizingly. If he goes astray at all, it's after a gruesome plot turn that renders Ryan helpless, with nearly all of his subsequent action passive or reactive. With a character this strong, we want to see him fight to the finish. HIGH-DEMAND BACKSTORY: Given the acclaim for Neville's prize-winning Belfast Trilogy (Stolen Souls, 2011; Collusion, 2010; The Ghosts of Belfast, 2009), Soho is betting big on this one with a $150,000 marketing campaign, a national tour, and big pushes at BEA and ALA.--Graff, Keir Copyright 2010 Booklist

Kirkus Book Review

In a divided country on the brink of the Cold War, the hunt for a Nazi killer is more complicated--and more dangerous--than it seems. It's 1963, and the world is heating up. President John F. Kennedy, already wary of Castro, is coming to Ireland for a state visit. The entire country is excited, not only because of Kennedy's heritage, but because of the implied endorsement of the American leader in the country's continuing conflicts with the British. Therefore, when an Austrian refugee is shot point-blank in a small, rural Irish guesthouse, Dublin wants it handled quickly and quietly. The fact that the murderer left a threat for another former SS officer, one who has moved into Irish politics, cannot get out at all, and when intelligence officer Albert Ryan is brought in, he is warned that discretion may be more important than the law. Lt. Ryan is a good choice for the assignment since he's an outsider, his own loyalties both convoluted and conflicted. The son of a small-town shopkeeper, Ryan had enlisted in the British army as a teen, an act that continues to cause his family trouble. But even though his homeland remains at least partially ambivalent toward the Germans--as well as the victorious British--he knows how to put his head down and solve a murder. As his dogged, thorough police work brings him into an underworld where war criminals and politicians mingle, however, he will find that nothing is that simple. As he did in Ghosts of Belfast (2009) and its sequel, Collusion (2010), Neville shows how the past is linked to the present, particularly in the brooding Ireland of his noir thrillers. In a setting of dampness and poverty, he creates a world where grudges may last for generations and blood feuds full of the kind of pervasive detail that makes this grim world real persist. Another moody winner mixes Nazis into Neville's usual Irish noir.]] Copyright Kirkus Reviews, used with permission.