Reviews provided by Syndetics
Publishers Weekly Review
Drawing characters and themes from The Giver and its companions, Gathering Blue and Messenger, Lowry concludes her Giver Quartet nearly 20 years after the Newbery Medal-winning first book was published. The story is divided into three sections, and in the completely absorbing opening, Lowry transports readers back to the horrifying world from which Jonas came. The spotlight is on 14-year-old Claire, a Birthmother who is given an emergency Caesarean to save "the Product." The child survives, but Claire is coldly "decertified" and sent to work elsewhere, mystified as to what happened to her and her baby. Those familiar with The Giver will feel the pieces fall into place as Claire figures out which Product is hers and tracks his progress. Part two details Claire's decade-long struggle to remember who she is, and it suffers slightly from having a main character afflicted with a well-worn plot device (amnesia); the final third reunites characters from all three previous novels for a showdown with evil incarnate. If the latter sections don't quite keep up with the thrilling revelations of the first, Lowry still ties together these stories in a wholly satisfying way. Ages 12-up. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved.
School Library Journal Review
Gr 6 Up-This final volume in the sequence of books that began with The Giver (Houghton Mifflin, 1993) returns for the first time to the regimented community of that book. Lowry recounts the events through the eyes of a new character, Claire, a Birthmother. When her first "Production" goes wrong, she endures a cesarean delivery and is summarily reassigned to the fish hatchery. But she can never let go of the idea of the son to whom she has given birth (Product #36) and manages to track him down in visits to the Nurturing Center. The baby turns out to be Gabe, the infant taken in by Jonas's family in The Giver. Claire meets Jonas's father and is able to maintain a tenuous relationship with her child. When Gabe is set to be "released" rather than permanently assigned to a family, things look dire indeed. Claire manages to escape the community on a supply boat headed "Elsewhere." Washed up on a beach after a storm, she has no memory of who she is or from whence she came. With the help of the villagers who have taken her in, she slowly regains some bits of her past and sets out to find her son. A harrowing encounter with the Trademaster leads her finally to Gabe, whom she finds in the village introduced in Messenger, along with Jonas, who is now appropriately the scholar/librarian of the community. Infinitely more satisfying than the previous installment, Son is a tender conclusion to this memorable story, and definitely the best of the books in this sequence since The Giver itself.-Tim Wadham, Children's Literature Consultant, Fenton, MO (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
*Starred Review* Fans of The Giver (1993) and they are legion will find themselves immediately pulled back into the sterile, ordered world where conformity is the only virtue. The focus here is on 14-year-old Claire, and when readers first see her, she is strapped onto a table, masked, about to give birth. As a Birthmother, Claire's job is finished once her baby is born, until the next pregnancy. But unusual circumstances, including a cesarean, get Claire moved from the birthing center to the fish hatchery, and someone forgets to give Claire the pills everyone in the community takes the ones that suppress feelings and individuality. Without that wall, Claire begins to long for her son and finds opportunities to see him. Slowly, readers of the previous titles in the quartet will come to understand that Claire's baby is not unfamiliar to them. When the boy disappears, Claire decides, against all odds, that she must find him. That brings her to a seaside community where she strengthens body, mind, and spirit to continue her search. One of The Giver's strengths was the unvarnished writing style that reflected the book's ordered community. Lowry captures that same feeling again and turns it inside out as Claire moves through two more distinct settings, both haunting in their own right. Though her time at the seaside village may seem long to some readers (and it is more than 10 years), the vividness of the descriptions from the hardness of the rock to the roiling of the water makes up for the length. Lowry is one of those rare writers who can craft stories as meaningful as they are enticing. Once again she provides plenty of weighty matters for readers to think about: What is important in life? What are you willing to trade for your desires? And the conflict that has been going on since stories began: Who is able to conquer evil? Don't miss our feature, Another Look at Lois Lowry's The Giver Quartet. --Cooper, Ilene Copyright 2010 Booklist
Horn Book Review
Lowry begins Son by returning to the rigid, passionless community of The Giver (rev. 7/93), this time pursuing the story of Claire, the young woman who gave birth to Gabriel, the baby Jonas rescues in The Giver. Claires son is taken from her at birth, as is the way of this institutional culture, and nurtured in the communal nursery. Against the rules, Claire visits him regularly until, one night, baby and Jonas disappear. That same night, Claire also departs in a state of confused turmoil, eventually washing up on the beach of an isolated coastal village, having lost her memory. Her quest to regain it and find her son leads her to Jonas, Kira, and Gabriel of Lowrys earlier related books. Straightforward sentences; simple, accessible language; and a linear plot govern this novel that emphasizes the dangers of conformity and overvaluation of a "rational" life. Lowry foregoes dramatic suspense for measured tones and deliberate sequences of action -- a style that suits the bland, antiseptic environment of Claires and Jonass origins. A final confrontation (between Gabe and Trademaster) replays the battle against evil that seemed to have been vanquished by Mattys Christ-like sacrifice at the end of Messenger (rev. 5/04). Lengthy and somewhat mechanical in its plot, the strength of this novel is its compassionate portrait of a mothers commitment to her lost child. The book will be of greatest interest to those already hooked on Lowrys series. deirdre f. baker (c) Copyright 2012. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Book Review
In this long-awaited finale to the Giver Quartet, a young mother from a dystopian community searches for her son and sacrifices everything to find him living in a more humane society with characters from The Giver (1993), Gathering Blue (2000) and Messenger (2004). A designated Birthmother, 14-year-old Claire has no contact with her baby Gabe until she surreptitiously bonds with him in the community Nurturing Center. From detailed descriptions of the sterile, emotionally repressed community, it's clear Lowry has returned to the time and place of The Giver, and Claire is Jonas' contemporary. When Jonas flees with Gabe, Claire follows. She later surfaces with amnesia in a remote village beneath a cliff. After living for years with Alys, a childless healer, Claire's memory returns. Intent on finding Gabe, she single-mindedly scales the cliff, encounters the sinister Trademaster and exchanges her youth for his help in finding her child, now living in the same village as middle-aged Jonas and his wife Kira. Elderly and failing, Claire reveals her identity to Gabe, who must use his unique talent to save the village. Written with powerful, moving simplicity, Claire's story stands on its own, but as the final volume in this iconic quartet, it holistically reunites characters, reprises provocative socio-political themes, and offers a transcending message of tolerance and hope. Bravo! (Fiction. 12 up)]] Copyright Kirkus Reviews, used with permission.