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Dead in the family / Charlaine Harris.

By: Harris, Charlaine.
Material type: TextTextSeries: Harris, Charlaine. Sookie Stackhouse southern vampire mystery: 10.A True blood novel: Publisher: London : Gollancz, 2010Edition: First edition.Description: 311 pages ; 24 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 9780575089334 (pbk.).Uniform titles: True blood (Television program) Subject(s): Werewolves -- Fiction | Stackhouse, Sookie (Fictitious character) -- Fiction | Cocktail servers -- United States -- Fiction | Vampires -- United States -- Fiction | Louisiana -- FictionGenre/Form: Romantic suspense fiction. | Paranormal fiction. | Detective and mystery fiction. | Fantasy fiction. | Paranormal romance stories. | Romantic suspense fiction.DDC classification: 813/.54 Summary: After the brief but deadly Faery War, Sookie Stackhouse is hurt and she's angry. Just about the only bright spot in her life is the love she thinks she feels for vampire Eric Northman who is under scrutiny by the new Vampire King because of their relationship. And as the political implications of the Shifters coming out are beginning to be felt, Sookie's connection to the Shreveport pack draws her into the debate and up against a Fae who wants her dead.
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Item type Current location Collection Call number Copy number Status Date due Barcode Item holds
Fiction Davis (Central) Library
Fiction Collection
Fiction Collection HAR 1 Available T00519167
Total holds: 0

Enhanced descriptions from Syndetics:

<p>In "Dead in the Family," the "vivid, subtle, and funny" ("Entertainment Weekly") world of Sookie Stackhouse is about to take a dangerous turn... <br>After enduring torture and the loss of loved ones during the brief but deadly Fae War, Sookie Stackhouse is hurt and she's mad. Just about the only bright spot in her life is the love she thinks she feels for vampire Eric Northman. But he's under scrutiny by the new vampire king because of their relationship. And as the political implications of the shifters' coming-out are beginning to be felt, Sookie's connection to one particular Were draws her into the dangerous debate. Also, unknown to her, though the doors to Faery have been closed, there are still some fae on the human side--and one of them is angry at Sookie. Very, very angry.

After the brief but deadly Faery War, Sookie Stackhouse is hurt and she's angry. Just about the only bright spot in her life is the love she thinks she feels for vampire Eric Northman who is under scrutiny by the new Vampire King because of their relationship. And as the political implications of the Shifters coming out are beginning to be felt, Sookie's connection to the Shreveport pack draws her into the debate and up against a Fae who wants her dead.

Kotui multi-version record.

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Excerpt provided by Syndetics

<opt> <anon I1="BLANK" I2="BLANK">March The First Week "I feel bad that I'm leaving you like this," Amelia said. Her eyes were puffy and red. They'd been that way, off and on, ever since Tray Dawson's funeral. "You have to do what you have to do," I said, giving her a very bright smile. I could read the guilt and shame and ever-present grief roiling around Amelia's mind in a ball of darkness. "I'm lots better," I reassured her. I could hear myself babbling cheerfully along, but I couldn't seem to stop. "I'm walking okay, and the holes are all filled in. See how much better?" I pulled down my jeans waistband to show her a spot that had been bitten out. The teeth marks were hardly perceptible, though the skin wasn't quite smooth and was visibly paler than the surrounding flesh. If I hadn't had a huge dose of vampire blood, the scar would've looked like a shark had bitten me. Amelia glanced down and hastily away, as if she couldn't bear to see the evidence of the attack. "It's just that Octavia keeps e-mailing me and telling me I need to come home and accept my judgment from the witches' council, or what's left of it," she said in a rush. "And I need to check all the repairs to my house. And since there are a few tourists again, and people returning and rebuilding, the magic store's reopened. I can work there part-time. Plus, as much as I love you and I love living here, since Tray died..." "Believe me, I understand." We'd gone over this a few times. "It's not that I blame you," Amelia said, trying to catch my eyes. She really didn't blame me. Since I could read her mind, I knew she was telling me the truth. Even I didn't totally blame myself, somewhat to my surprise. It was true that Tray Dawson, Amelia's lover and a Were, had been killed while he'd been acting as my bodyguard. It was true that I'd requested a bodyguard from the Were pack nearest me because they owed me a favor and my life needed guarding. However, I'd been present at the death of Tray Dawson at the hands of a sword-wielding fairy, and I knew who was responsible. So I didn't feel guilty, exactly. But I felt heartsick about losing Tray, on top of all the other horrors. My cousin Claudine, a full-blooded fairy, had also died in the Fae War, and since she'd been my real, true fairy godmother, I missed her in a lot of ways. And she'd been pregnant. I had a lot of pain and regret of all kinds, physical and mental. While Amelia carried an armful of clothes downstairs, I stood in her bedroom, gathering myself. Then I braced my shoulders and lifted a box of bathroom odds and ends. I descended the stairs carefully and slowly, and I made my way out to her car. She turned from depositing the clothes across the boxes already stowed in her trunk. "You shouldn't be doing that!" she said, all anxious concern. "You're not healed yet." "I'm fine." "Not hardly. You always jump when someone comes into the room and surprises you, and I can tell your wrists hurt," she said. She grabbed the box and slid it into the backseat. "You still favor that left leg, and you still ache when it rains. Despite all that vamp blood." "The jumpiness'll get better. As time passes, it won't be so fresh and at the front of my mind," I told Amelia. (If telepathy had taught me anything, it was that people could bury the most serious and painful of memories, if you gave them enough time and distraction.) "The blood is not just any vampire's. It's Eric's blood. It's strong stuff. And my wrists are a lot better." I didn't mention that the nerves were jumping around in them like hot snakes just at this moment, a result of their having been tied together tightly for several hours. Dr. Ludwig, physician to the supernatural, had told me the nerves -- and the wrists -- would be back to normal, eventually. "Yeah, speaking of the blood . . ." Amelia took a deep breath and steeled herself to say something she knew I wouldn't like. Since I heard it before she actually voiced it, I was able to brace myself. "Had you thought about... Sookie, you didn't ask me, but I think you better not have any more of Eric's blood. I mean, I know he's your man, but you got to think about the consequences. Sometimes people get flipped by accident. It's not like it's a math equation." Though I appreciated Amelia's concern, she'd trespassed into private territory. "We don't swap," I said. Much . "He just has a sip from me at, you know . . . the happy moment." These days Eric was having a lot more happy moments than I was, sadly. I kept hoping the bedroom magic would return; if any male could perform sexual healing, that male would be Eric. Amelia smiled, which was what I'd been aiming for. "At least..." She turned away without finishing the sentence, but she was thinking, At least you feel like having sex . I didn't so much feel like having sex as I felt like I ought to keep trying to enjoy it, but I definitely didn't want to discuss that. My ability to cast aside control, which is the key to good sex, had been pinched out of existence during the torture. I'd been absolutely helpless. I could only hope that I'd recover in that area, too. I knew Eric could feel my lack of completion. He'd asked me several times if I was sure I wanted to engage in sex. Nearly every time, I said yes, operating on the bicycle theory. Yes, I'd fallen off. But I was always willing to try to ride it again. "So, how's the relationship doing?" she said. "Aside from the whoopee." Every last thing was in Amelia's car. She was stalling, dreading the moment when she actually got into her car and drove away. It was only pride that was keeping me from bawling all over her. "I think we're getting along pretty well," I said with a great effort at sounding cheerful. "I'm still not sure what I feel as opposed to what the bond is making me feel." It was kind of nice to be able to talk about my supernatural connection to Eric, as well as my regular old man-woman attraction. Even before my injuries during the Fae War, Eric and I had established what the vampires called a blood bond, since we'd exchanged blood several times. I could sense Eric's general location and his mood, and he could feel the same things about me. He was always faintly present in the back of my mind -- sort of like turning on a fan or an air filter to provide a little buzz of noise that would help you get to sleep. (It was good for me that Eric slept all day, because I could be by myself at least part of the time. Maybe he felt the same way after I went to bed at night?) It wasn't like I heard voices in my head or anything -- at least no more than usual. But if I felt happy, I had to check to make sure it was me and not Eric who felt happy. Likewise for anger; Eric was big on anger, controlled and carefully banked anger, especially lately. Maybe he was getting that from me. I was pretty full of anger myself these days. I'd forgotten all about Amelia. I'd stepped right into my own trough of depression. She snapped me out of it. "That's just a big fat excuse," she said tartly. "Come on, Sookie. You love him, or you don't. Don't keep putting off thinking about it by blaming everything on your bond. Wah, wah, wah. If you hate the bond so much, why haven't you explored how you can get free of it?" She took in the expression on my face, and the irritation faded out of her own. "Do you want me to ask Octavia?" she asked in a milder voice. "If anyone would know, she would." "Yes, I'd like to find out," I said, after a moment. I took a deep breath. "You're right, I guess. I've been so depressed I've put off making any decisions, or acting on the ones I've already made. Eric's one of a kind. But I find him . . . a little overwhelming." He was a strong personality, and he was used to being the big fish in the pond. He also knew he had infinite time ahead of him. I did not. He hadn't brought that up yet, but sooner or later, he would. "Overwhelming or not, I love him," I continued. I'd never said it out loud. "And I guess that's the bottom line." "I guess it is." Amelia tried to smile at me, but it was a woeful attempt. "Listen, you keep that up, the self-knowledge thing." She stood for a moment, her expression frozen into the half smile. "Well, Sook, I better get on the road. My dad's expecting me. He'll be all up in my business the minute I get back to New Orleans." Amelia's dad was rich, powerful, and had no belief in Amelia's power at all. He was very wrong not to respect her witchcraft. Amelia had been born with the potential for the power in her, as every true witch is. Once Amelia had some more training and discipline, she was going to be really scary -- scary on purpose, rather than because of the drastic nature of her mistakes. I hoped her mentor, Octavia, had a program in place to develop and train Amelia's talent. After I waved Amelia down the driveway, the broad smile dropped from my face. I sat on the porch steps and cried. It didn't take much for me to be in tears these days, and my friend's departure was just the trigger now. There was so much to weep about. My sister-in-law, Crystal, had been murdered. My brother's friend Mel had been executed. Tray and Claudine and Clancy the vampire had been killed in the line of duty. Since both Crystal and Claudine had been pregnant, that added two more deaths to the list. Probably that should have made me long for peace above all else. But instead of turning into the Bon Temps Gandhi, in my heart I held the knowledge that there were plenty of people I wanted dead. I wasn't directly responsible for most of the deaths that were scattered in my wake, but I was haunted by the feeling that none of them would have happened if it weren't for me. In my darkest moments -- and this was one of them -- I wondered if my life was worth the price that had been paid for it. Excerpted from Dead in the Family by Charlaine Harris All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.</anon> </opt>

Reviews provided by Syndetics

Library Journal Review

In the tenth entry in Harris's popular paranormal series (after Dead and Gone), Sookie heals quickly from the torture she suffered at the hands of the Fae, but emotionally she is a wreck. Add an unexpected fairy house guest, shape-shifters using her property for a good run, and a few dead bodies she did not know about, and you have a typical day in the life of mind-reading Sookie. The Weres and shape-shifters have also recently gone public, and now the world is dealing with the knowledge of their existence. Verdict With so many different characters and plotlines, this book is somewhat hard to follow, even for series fans. There is a lot of action and some romance, but Sookie just runs from one emotionally charged and/or dangerous situation to another. Readers new to the series will be confused. Best appreciated by longtime fans.-Jennifer Draper, Pickering P.L., Ont. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Review

Still reeling from the deaths of her fairy cousin, Claudine, and many others in 2009's Dead and Gone, Sookie Stackhouse struggles with paranormal politics in her entertaining if slow-moving 10th outing. When Claudine's triplet, Claude, appears at her doorstep, Sookie reluctantly allows him to move in. The government threatens two-natures with mandatory registration, and tensions run high in the local Were pack. Then Eric's maker, a Roman named Appius Livius Ocella, arrives without warning, bringing along Alexei Romanov, whom he rescued from the Bolsheviks and turned into a vampire. Though the action often builds too slowly, the exploration of family in its many human and undead variations is intriguing, and Harris delivers her usual mix of eccentric characters and engaging subplots. (May) (c) Copyright PWxyz, LLC. All rights reserved

Booklist Review

Harris' tenth installment in the adventures of Sookie Stackhouse finds the telepathic barmaid in Bon Temps, Louisiana, recovering slowly from the near-fatal injuries she incurred during the recent Fae War. Sookie's only source of happiness is her strong relationship with vampire Eric. Thank goodness for that, since at least one fairy remains on the loose (despite the closing of the door into Fae) and has it in for Sookie. The actual mystery in this entry comes only after the book is well under way and is not always central to the story. But that won't keep readers from thoroughly enjoying the latest entry in the Sookie saga; the slower pace of this book and the emphasis on wrapping up loose ends feels right after the frenetic pace and near-total chaos at the end of Dead and Gone (2009). As has been the case in the series' last few entries, the body count is high, starting when the local werewolf pack run on Sookie's land at full moon and tell her they've smelled a corpse. A must-read for series fans but not a good place for new readers to start. With the popularity of the series and TrueBlood, the HBO show based on it, any new Sookie novel is an automatic purchase for libraries.--Moyer, Jessica Copyright 2010 Booklist