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<anon I1="BLANK" I2="BLANK">What the Dead Know A Novel Chapter One Her stomach clutched at the sight of the water tower hovering above the still, bare trees, a spaceship come to earth. The water tower had been a key landmark in the old family game, although not the landmark. Once you spotted the white disk on its spindly legs, you knew it was time to prepare, like a runner crouched in blocks. On your mark, get set, I see -- It hadn't started as a game. Spotting the department store nestled in this bend of the Beltway had been a private contest with herself, a way to relieve the tedium of the two-day drive home from Florida. As far back as she could remember, they had made the trip every winter break, although no one in the family enjoyed this visit to Grandmother's house. Her Orlando apartment was cramped and smelly, her dogs mean, her meals inedible. Everyone was miserable, even their father, especially their father, although he pretended not to be and took great offense if anyone suggested that his mother was any of the things that she undeniably was--stingy, strange, unkind. Still, even he couldn't hide his relief as home drew nearer and he sang out each state line as they crossed. Georgia , he growled in a Ray Charles moan. They spent the night there, in a no-name motor court, and left before sunrise, quickly reaching South Carolina--"Nothing could be finah!"--followed by the long, slow teases of North Carolina and Virginia, where the only points of interest were, respectively, the lunch stop in Durham and the dancing cigarette packs on the billboards outside Richmond. Then finally Maryland, wonderful Maryland, home sweet home Maryland, which asked for only fifty miles or so, barely an hour back then. Today she had needed almost twice that much time to crawl up the parkway, but traffic was thinning now, up to normal speeds. I see -- Hutzler's had been the city's grandest department store, and it marked the Christmas season by setting up an enormous fake chimney with a Santa poised on its ledge, caught in a perpetual straddle. Was he coming or going? She could never decide. She had taught herself to watch for that flash of red, the promise that home was near, the way certain birds told a sea captain that the shore was within reach. It had been a clandestine ritual, not unlike counting the broken stripes as they disappeared under the front wheels of the car, a practice that quelled the motion sickness she never quite outgrew. Even then, she was tight-lipped when it came to certain information about herself, clear about the distinction between eccentricities that might be interesting and compulsive habits that would mark her as odd as, say, her grandmother. Or, to be absolutely truthful, her father. But the phrase had popped out one day, joyful and unbidden, another secret dialogue with herself escaping into the world: "I see Hutzler's." Her father had gotten the significance instantly, unlike her mother and sister. Her father always seemed to understand the layers beneath what she said, which was comforting when she was really little, intimidating as she got older. The problem was that he insisted on turning her private homecoming salute into a game, a contest, and what had once been hers alone then had to be shared with the entire family. Her father was big on sharing, on taking what was private and making it communal. He believed in long, rambling family discussions, which he called "rap sessions" in the language of the day, and unlocked doors and casual seminudity, although their mother had broken him of that habit. If you tried to keep something for yourself--whether it was a bag of candy purchased with your own money or a feeling you didn't want to express--he accused you of hoarding. He sat you down, looked straight into your eyes, and told you that families didn't work that way. A family was a team, a unit, a country unto itself, the one part of her identity that would remain constant the rest of her life. "We lock our front door against strangers," he said, "but never against each other." So he seized "I see Hutzler's" for the family good and encouraged everyone to vie for the right to say it first. Once the rest of the family decided to play, that last mile of Beltway had been unbearable in its suspense. The sisters craned their necks, leaning forward in the old lap seat belts, the ones worn only on long trips. That's how things were back then--seat belts for long trips only, no bicycle helmets ever, skateboards made from splintery planks of wood and old roller skates. Pinned by her seat belt, she felt her stomach flip and her pulse race, and for what? For the hollow honor of being the first to say out loud what she had always been the first to think. As with all her father's contests, there was no prize, no point. Since she could no longer be guaranteed victory, she did what she always did: She pretended not to care. Yet here she was again, alone, guaranteed the win if she wanted it, hollow as that victory would be, and her stomach still flipped, unaware that the store was long gone, that everything around the once-familiar cloverleaf had changed. Changed and, yes, cheapened. The placid dowager that had been Hutzler's was now a tacky Value City. Opposite, on the south side of the highway, the Quality Inn had morphed into one of those storage places. It wasn't possible from this vantage point to see if Howard Johnson's, home of the family's weekly fish-fry suppers, remained at the intersection, but she somehow doubted it. Did Howard Johnson's exist anywhere anymore? Did she? Yes and no. What happened next transpired in seconds. Everything does, if you think about it. She would say that later, under questioning. The Ice Age happened in a matter of seconds; there were just a lot of them. Oh, she could make people love her if absolutely necessary, and although the tactic was less essential to her survival now, the habit was hard to break. Her interrogators pretended exasperation, but she could tell she was having the desired effect on most of them. By then her description of the accident was breathlessly vivid, a polished routine. She had glanced to the right, eastward, trying to recall all her childhood landmarks, forgetting the old admonition Bridges may freeze first , and felt a strange sensation, almost as if the steering wheel were slipping from her grasp, but the car was actually separating from the road, losing traction, although the sleet had not started and the pavement looked bone dry. It was oil, not ice, she would learn later, left from an earlier accident. How could one control for a coating of oil, invisible in the March twilight, for the inactions or incomplete actions of a crew of men she had never met, would never know? Somewhere in Baltimore, a man sat down to supper that night, unaware that he had destroyed someone else's life, and she envied him his ignorance. She clutched the steering wheel and pounded on the pedals, but the car ignored her. The boxy sedan slid to the left, moving like the needle on a haywire tachometer. She bounced off the Jersey wall, spun around, slid to the other side of the highway. For a moment it seemed as if she were the only one driving, as if all the other cars and their drivers had frozen in deference and awe. The old Valiant--the name had seemed a good omen, a reminder of Prince Valiant and all that he stood for, back in the Sunday comics--moved swiftly and gracefully, a dancer among the stolid, earthbound commuters at the tail end of rush hour. And then, just when she seemed to have the Valiant under control, when the tires once again connected to the pavement, she felt a soft thump to her right. She had sideswiped a white SUV, and although her car was so much smaller, the SUV seemed to reel from the touch, an elephant felled by a peashooter. She glimpsed a girl's face, or thought she did, a face with an expression not so much frightened as surprised by the realization that anything could collide with one's neat, well-ordered life at any time. The girl wore a ski jacket and large, cruelly unflattering glasses, made worse somehow by white fur earmuffs. Her mouth was round, a red gate of wonder. She was twelve, maybe eleven, and eleven was the same age when--and then the white SUV began its lazy flip-flops down the embankment. I'm sorry, I'm sorry, I'm sorry , she thought. She knew she should slow down, stop, check on the SUV, but a chorus of honks and squealing brakes rose up behind her, a phalanx of sound that pushed her forward in spite of herself. It wasn't my fault! Everyone should know by now that SUVs were prone to tip. Her mild little nudge could never have caused that dramatic-looking accident. Besides, it had been such a long day and she was so close. Her exit was the next one, not even a mile ahead. She could still merge into the I-70 traffic and continue west to her destination. But once on the long straightaway toward I-70, she found herself veering right instead of left, toward the sign that read Local Traffic Only, to that strange, unfinished road that her family had always called the highway to nowhere. How they had gloried in giving directions to their house. "Take the interstate east, to where it ends." "How can an interstate end?" And her father would triumphantly tell the tale of the protests, the citizens who had united across Baltimore to preserve the park and the wildlife and the then-modest rowhouses that ringed the harbor. It was one of her father's few successes in life, although he had been a minor player--just another signer of petitions, a marcher in demonstrations. He was never tapped to speak at the public rallies, much as he longed for that role. The Valiant was making a terrible sound, the right rear wheel scraping against what must be a crushed fender. In her agitated state, it made perfect sense to park on the shoulder and continue on foot, although the sleet had now started and she became aware with each step that something was wrong. Her ribs hurt so that each breath was like a jab with a tiny knife, and it was hard to carry her purse as she had always been instructed--close to the body, not dangling from her wrist, a temptation for muggers and thieves. She hadn't been wearing her seat belt, and she had bounced around inside the Valiant, hitting the steering wheel and door. There was blood on her face, but she wasn't sure where it was coming from. Mouth? Forehead? She was warm, she was cold, she saw black stars. No, not stars. More like triangles twisting and turning, strung from the wires of an invisible mobile. She had been walking no more than ten minutes when a patrol car stopped alongside her, lights flashing. "That your Valiant back there?" the patrolman called out to her, lowering the window on the passenger side but not venturing from the car. Was it? The question was more complicated than the young officer could know. Still, she nodded. "You got any ID?" "Sure," she said, digging into her purse but not finding her wallet. Why, that -- She started to laugh, realizing how perfect that was. Of course she had no ID. She had no identity, not really. "Sorry. No. I--" She couldn't stop laughing. "It's gone." He got out of the patrol car and attempted to take the purse to look for himself. Her scream shocked her even more than it did him. There was a fiery pain in her left forearm when he tried to slide the purse past her elbow. The patrolman spoke into his shoulder, calling for assistance. He pocketed her keys from her purse, walked back to her car, and poked around inside, then returned and stood with her in the sleeting rain that had finally started. He mumbled some familiar words to her but was otherwise silent. "Is it bad?" she asked him. "That's for a doctor to say when we get you to the ER." "No, not me. Back there." The distant whir of a helicopter answered her question. I'm sorry, I'm sorry, I'm sorry. But it wasn't her fault. "It wasn't my fault. I couldn't control it--but still, I really didn't do anything--" "I've read you your rights," he said. "The things you're saying--they count. Not that there's much doubt you left the scene of an accident." "I was going to get help." "This road dead-ends into a park-and-ride. If you really wanted to help them, you'd have pulled over back there or taken the Security Boulevard exit." "There's the old Windsor Hills Pharmacy at Forest Park and Windsor Mill. I thought I could call from there." She could tell that caught him off guard, her use of precise names, her familiarity with the area. "I don't know of any pharmacy, although there's a gas station there, but-- Don't you have a cell phone?" "Not for my personal use, although I carry one at work. I don't buy things until they work properly, until they're perfected. Cell phones lose their connections and people have to yell into them half the time, so you can't safeguard your privacy. When cells work as well as landlines, I'll buy one." She heard her father's echo. All these years later, he was in her head, his pronouncements as definitive as ever. Don't be the first to purchase any kind of technology. Keep your knives sharp. Eat tomatoes only when they're in season. Be kind to your sister. One day your mother and I will be gone, and you'll be all that each other has. The young patrol officer regarded her gravely, the kind of awed inspection that good children reserve for those who have misbehaved. It was ludicrous that he could be so skeptical of her. In this light, in these clothes, the rain flattening her short, spiky curls, she probably looked younger than she was. People were always placing her at a full decade below her real age, even on those rare occasions when she dressed up. Cutting her long hair last year had only made her look younger still. It was funny about her hair, how stubbornly blond it remained at an age when most women needed chemicals to achieve this light, variable hue. It was as if her hair resented its years of forced imprisonment under those home applications of Nice'n Easy Sassy Chestnut. Her hair could hold a grudge as well as she could. "Bethany," she said. "I'm one of the Bethany girls." "What?" "You don't know?" she asked him. "You don't remember? But then I guess you're all of, what--twenty-four? Twenty-five?" "I'll be twenty-six next week," he said. She tried not to smile, but he was so much like a toddler claiming two and a half instead of two. At what age do we stop wishing to be older than we are, stop nudging the number up? Around thirty for most, she assumed, although it had happened to her far earlier. By eighteen she would have done anything to renounce adulthood and be given another chance at childhood. "So you weren't even born when-- And you're probably not from here either, so no, the name wouldn't mean anything to you." "Registration in the car says it belongs to Penelope Jackson, from Asheville, North Carolina. That you? Car didn't come up stolen when I called the tag in." She shook her head. Her story would be wasted on him. She'd wait for someone who could appreciate it, who would understand the full import of what she was trying to tell him. Already she was making the calculations that had long been second nature. Who was on her side, who would take care of her? Who was against her, who would betray her? What the Dead Know A Novel . Copyright © by Laura Lippman. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from What the Dead Know by Laura Lippman All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.</anon>
Reviews provided by Syndetics
Library Journal Review
A woman is found disoriented and wandering the street after a hit-and-run accident. Although the accident is not that serious, police are intrigued by the woman's reluctance to provide identification and her claim to be one of a pair of sisters abducted from a shopping mall 30 years earlier. Following her statement, the woman clams up. No bodies were ever found, and many who worked on the missing sisters' case-including the girls' father-are dead or terminally ill. The story moves back and forth through time with suspenseful pacing as the listener gradually begins to understand the terrible consequences of this event. When the girls' mother is finally located, the dramatic suspense is breathtaking and leads to a finale that is completely plausible and satisfying. Linda Emond gives a wonderful performance, using different voices and accents to bring immediacy to the many characters and circumstances. Her pacing adds to the mystery and never leaves the listener in doubt as to the time frame and setting. Anyone who ever questioned why Lippman has won every major crime fiction prize will stop wondering after hearing this wonderful production. Highly recommended for adult and teen collections.-Barbara Valle, El Paso P.L., TX (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publishers Weekly Review
Emond sounds more than a little like Laura Linney, and her plainspoken, occasionally whispery reading of Lippman's disturbing novel of buried secrets often brings the acclaimed actress to mind. Lippman's novel shuttles back and forth between the present, where a middle-aged woman is involved in a hit-and-run accident, and a past in which two girls are abducted from a mall and never seen again. Do the two events have anything to do with each other? Emond brings a sense of quiet force to Lippman's story, her voice imprinted with sadness and a sense of life's tragic surprises. Her reading bridges the unbridgeable gaps between past and present in Lippman's story, offering little in the way of surprises but a marked amount of suppressed, nearly palpable emotion. Simultaneous release with the Morrow hardcover (Reviews, Jan. 22). (Apr.) (c) Copyright PWxyz, LLC. All rights reserved
School Library Journal Review
Adult/High School-After fleeing a car accident, a middle-aged woman with no ID is questioned by both the police and hospital administration. Refusing to reveal her identity (and proof of health insurance), she instead hints that she is the younger of two sisters, Heather and Sunny Bethany, who disappeared the day before Easter in 1975. This gets everyone's attention. She knows both too much and not enough about the case, leading Baltimore police on wild goose chases to Pennsylvania and Georgia, saying just enough to stay out of jail and keep them interested, albeit suspicious. The narrative threads unravel into the various accounts of that Saturday's events, the aftermath of the disappearance, the investigation, and Heather's own increasingly desperate attempts to evade further disclosure. This novel is a page-turner. Tantalizing revelations are dropped at chapter ends before veering into another part of the narrative, back and forth in time. Characters are well defined and varied, each with a different perspective on the nature of grief. Ultimately, after all of the half-truths and deceptions are played out, unexpected but moving forgiveness wins out.-Jenny Gasset, Orange County Public Library, CA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
In 1975, the abduction of the teenage Bethany sisters rattled residents of Baltimore. Now, some 30 years later, a woman who flees the scene of a hit-and-run accident claims to be Heather, the younger of the two sisters. Could this mysterious blonde really be the missing teen, or is she pulling some sort of clever, unspeakably cruel con? Detective Kevin Infante is assigned to the case and must tiptoe around Heather, who is prickly, smart, and clearly conflicted about cooperating with authorities. In this stirring stand-alone, Lippman, the critically acclaimed author of the Tess Monaghan series, deftly shifts between present and past, intertwining Detective Infante's investigation with the narrative perspectives of individuals irrevocably changed by that fateful spring day. Of particular interest is the girls' adoptive mother, who has since relocated to Mexico in hopes of leaving the past behind. Lippman has received the Edgar, Shamus, and Nero Wolfe awards, among others. Though her ending is a bit of a stretch in this latest offering, the compelling plot and vivid characters prove the author well worthy of honors bestowed. --Allison Block Copyright 2007 Booklist
Kirkus Book Review
A hit-and-run on the Beltway forces the Baltimore County police to reopen a 30-year-old kidnapping. No one thought trust-fund brat Chet Willoughby would make a good cop, but in the 20 years before he retired to care for his ailing wife, Evelyn, he cleared every case but one. Willoughby never learned why or how someone abducted Sunny Bethany, 15, and her sister Heather, 12, from the Security Square Mall, despite his dogged legwork and a burgeoning friendship with the parents: countercultural Dave, whose craft shop struggled until the unwanted publicity brought an embarrassment of customers, and his beguiling wife, Miriam, an Ottawa transplant whose alibi was an illicit liaison with her boss. Now a middle-aged hit-and-run driver is claiming to be Heather. Detective Kevin Infante has to evaluate that claim while dealing with ball-busting attorney Gloria Bustamante, the increasing reticence of her client and the demons of his own failed marriages. Social-worker Kay Sullivan gives the alleged victim the benefit of the doubt, but Kevin remains skeptical, even when his former partner Nancy Porter finds what could be corroboration in her cold-case files. The key to the case lies in the tortured memory of the victim, if she can just be persuaded to unlock it. Lippman (To the Power of Three, 2005, etc.) crafts a tale that resonates long after the last page is turned. Copyright ©Kirkus Reviews, used with permission.