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Sirens / Joseph Knox.

By: Knox, Joseph [author.].
Material type: materialTypeLabelBookPublisher: London : Doubleday, 2017Copyright date: ©2017Description: 374 pages ; 24 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 9780857524348.Subject(s): Runaways -- Fiction | Detectives -- Fiction | Missing persons -- Fiction | Polica corruption -- FictionGenre/Form: Detective and mystery stories.Summary: Isabelle Rossiter has run away again. When Aidan Waits, a troubled junior detective, is summoned to her father's penthouse home - he finds a manipulative man, with powerful friends. But retracing Isabelle's steps through a dark, nocturnal world, Waits finds something else. An intelligent seventeen-year-old girl who's scared to death of something. As he investigates her story, and the unsolved disappearance of a young woman just like her, he realises Isabelle was right to run away. Soon Waits is cut loose by his superiors, stalked by an unseen killer and dangerously attracted to the wrong woman. He's out of his depth and out of time. How can he save the girl, when he can't even save himself?
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Enhanced descriptions from Syndetics:

It starts with the girl. How it ends is up to DC Aidan Waits.

Isabelle Rossiter has run away again.

When Aidan Waits, a troubled junior detective, is summoned to her father's penthouse home - he finds a manipulative man, with powerful friends.

But retracing Isabelle's steps through a dark, nocturnal world, Waits finds something else. An intelligent seventeen-year-old girl who's scared to death of something. As he investigates her story, and the unsolved disappearance of a young woman just like her, he realizes Isabelle was right to run away.

Soon Waits is cut loose by his superiors, stalked by an unseen killer and dangerously attracted to the wrong woman. He's out of his depth and out of time.

How can he save the girl, when he can't even save himself?

"It starts with a teenage runaway. How it ends is up to Detective Aidan Watts"--Cover.

Isabelle Rossiter has run away again. When Aidan Waits, a troubled junior detective, is summoned to her father's penthouse home - he finds a manipulative man, with powerful friends. But retracing Isabelle's steps through a dark, nocturnal world, Waits finds something else. An intelligent seventeen-year-old girl who's scared to death of something. As he investigates her story, and the unsolved disappearance of a young woman just like her, he realises Isabelle was right to run away. Soon Waits is cut loose by his superiors, stalked by an unseen killer and dangerously attracted to the wrong woman. He's out of his depth and out of time. How can he save the girl, when he can't even save himself?

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Excerpt provided by Syndetics

1       The young couple crossed over to avoid me, and I heard the jingle of loose change in someone's pocket.   A street you see every day can look unfamiliar, lying facedown on the ground, and it took me a minute to work out where I was. The pavement was frozen. Low-hanging fog blurred the air, and nothing could pass through it without being altered somehow. It threw the whole city out of focus, taking the shine out of another Friday night.   My left arm had gone numb and I rolled off it to check the time. The face of my watch was shattered. Assuming it had stopped when I hit the floor, assuming that had only been a few minutes ago, I still had over an hour. I could get into some dry clothes and be at the bar in plenty of time to see the handover. I felt my way up a wall and got to my feet. My face hurt and my brain felt like it had come loose, rattling around inside my skull, erasing pin numbers and names of childhood friends.   I watched the young couple disappear into the fog. In spite of social media, CCTV and the state, we still live in a world where you can disappear if you want to. Or even if you don't. It had been about a month since the story leaked.   A month since I'd gone missing.   I felt the back of my head where someone had just hit it, hard. My wallet was still in my pocket, so I hadn't been mugged. I'd been warned. There was no one else around but I could feel eyes all over me.   The street swayed and I held on to a lamppost to steady it. When I started to walk I went for long stretches with my eyes closed, not even thinking about bumping into things.   Turning a corner, I found myself on Back Piccadilly, immediately recognizing its exhausted red bricks by their external fire escapes. These buildings wall in a narrow alley on both sides, making a claustrophobic throughway. The evening rain had caught the moonlight, and I started walking out of nostalgia as much as anything. There was an all-night coffee shop at the other end, and I'd spent some time there in another life. It had been years since I stopped going, and the city had changed so much that I knew I wouldn't see any of the old faces.   I was a few steps into the alleyway when I heard a car start behind me. An engine growled into life, flexing its muscles before falling into a smooth rumble. Light flooded the narrow path and a crooked silhouette grew out from my feet.   Thinner than I remembered it.   I looked over my shoulder, into blinding high beams. The car was idling at the alleyway's entrance. Nothing to see here. I turned and kept walking. I was halfway along when the beams shook. When they started following me.   The engine revved and the car moved closer. It sounded just two or three feet behind, and I knew then that I'd never really disappeared. I could feel the headlights, burning into my back. I didn't want to turn and look through them at the driver anymore. I was afraid of who it might be.   I pressed myself into an alcove so the car could pass. It stayed where it was for a few seconds. Squinting into the light I saw a BMW, all gleaming black paint and chrome. I could feel the night in my lungs. The blood, singing through my veins. A window came down but I couldn't see inside.   "Detective Constable Waits?" said a man.   "Who's asking?"   I heard a woman's laughter from the passenger side.   "We're not asking, handsome. Get in."         2       The rain tapping against the windscreen was making faces at me. My veins felt threadbare and weak, and I sat in the back of the car trying to make a fist for my own amusement. I thought of the speed in my coat pocket.   "True what they say, then?" said the driver, reading my mind. He looked to be in his late forties. He had broad shoulders and weaved them like a middleweight each time he turned the wheel. He wore a fitted suit jacket, charcoal gray in color, which nearly matched the hair on his head. When he used the rearview mirror it was casually, looking through me like I wasn't there. The woman was a dishwater blonde with an efficient ponytail.   I didn't say anything.   In the back seat I felt the chill of my sodden clothes and clenched my jaw to keep from shivering. The only thing in the car that hadn't come straight from the showroom was a police scanner. It was turned right down. I could smell a designer vanilla perfume but didn't recognize the brand. It didn't match either of the people in the front seats, though. It smelled like money, like youth.   We were driving emphatically away from where I'd been. Out of the nightlife, the glare. Past the empty shops and the going-going-gone local businesses. The huge, vacant buildings. The dying high street.   "What's he want?" I said.   The man made eye contact in the mirror. "Didn't ask."   We pulled onto Deansgate.   Over a mile in length, Deansgate stretches from one side of the city to the other. In that space it does it all, from invite-only restaurants to down-and-out soup kitchens, with everything you can think of in between.   "Well, where is he?"   "Beetham Tower."   I must have sworn.   "Been there before have you?" said the woman.   The tallest building outside the capital, Beetham Tower had been one of several skyscrapers planned for the city. The idea was to expand farther and farther upward, each structure a few meters taller than the last, like some great, dull-metal graph, charting endless growth. Developers had decided they could make millions by mortgaging small, overpriced rooms to single men and women, our only commodity. But their heads had been in the clouds. When the economy came crashing down around them, the owners, investors and builders lost everything. The male suicide rate rose slightly and everyone else carried on.   Now, most of these derelict building sites are cannibalized for scrap. The others are left to rot, collecting rainwater in exposed foundations. Rusting like open sores in the ground. There were times during its three-year construction when it seemed that even Beetham Tower wouldn't be finished. It went up, though, in spite of everything, extended like a middle finger to the entire city.   We turned off Deansgate and pulled up to the tower's carport. A beaming valet dressed like Sinatra leaned into the window. He recognized our driver at first sight, stopped smiling and waved us on, down to the subterranean car park.         3       Beetham Tower is shared by a Hilton hotel, residential apartments and, right at the top, bespoke penthouse suites.   Although the structure itself is streamlined, the four-story annex at its base is much broader. It has to be, containing as it does a ballroom, swimming pool and the smiling sons and daughters of the top 2 percent. The walls of the lobby and lobby bar are made almost entirely from windowed glass. The design is such that, should someone accidentally look outside, all they'd see is their own reflection.   I had been here before.   The previous year, after a young woman crashed through a nineteenth-floor window and fell to her death. Dasa Ruzicka was an underage sex-worker from the Czech Republic. She had been trafficked through Europe when she was fourteen, having been sold by her father to a local trader. It was easy to take girls from these places because they went missing so often. Each one was camouflaged against a backdrop of habitual disappearance. But there was another, more elemental, reason she was taken.   Dasa had been beautiful, and not the emaciated version of it they throw around these days. She gave meaning back to the word. Her clear complexion had naturally lent itself to sex work because, in spite of all the sadness life could parade past it, she went on looking pure somehow. A recurring frustration of my job was that girls, women, were things to fuck and throw punches at. To throw through windows. I wondered what it said about us now, that graceful was the worst thing you could be.   I was sure Dasa couldn't have propelled herself through the window with such force. The hotel room she fell from had been empty, though. I kept guests and staff there for hours, questioning anyone whose key card might have allowed them access to the floor. When enough money had complained, a Detective Inspector was sent to relieve me. I took him into an empty room on the nineteenth floor, tried to explain the situation.   When he still wouldn't listen I backed off toward the door, my eyes on the window. The city below. He realized what I was about to do and shouted at me to stop. I ran at the glass to see the look on his face as much as anything, but he managed to get in the way before I could hit it.   It was the second of three strikes against me that would eventually lead to front-page news. To my total disgrace. To my taking the only job left open to me.   Dasa's death went down as a suicide and stayed that way.   I hadn't been back to Beetham Tower since.         4       Detective Sergeant Conway," said the female officer, holding out her hand for me to shake.   Her colleague was talking to the receptionist while we waited in the lobby. By my estimation of a Special Branch officer, I would have called him overfamiliar. There was a roar of laughter from a group of men in tuxedos, entering through an enormous, ornate revolving door. They danced beneath a chandelier the size of a family car. I was wishing it down on them when I looked at DS Conway.   "What's his problem with you?" she said, nodding at her partner. The man turned from the desk, walking back toward us, and she fixed her posture like she hadn't given me a second thought.       The lift went endlessly up toward the penthouses, a part of the tower I had never been in before. The man used a key card that granted us access to these upper echelons. A Muzak version of "My Heart Will Go On" ended, faded out and then faded back in again at the start. Like everything else in the building, the lift was decked with mirrors and reflective steel.   I looked at my shoes.   We stopped on the forty-fifth floor and the doors opened with an affected whoosh. Before the mechanized schoolmistress voice of the lift could finish speaking, the man had taken me firmly by the arm.   We moved down a long, tastefully minimal hallway, leaving Detective Sergeant Conway behind. We passed two other apartments, the only others on this level, before coming to a stark black door. The man used his card to open it and directed me into the lounge area of a large, anonymous residence.   There had been a lot of talk in the press about these penthouses. Only the ultrarich need apply. The suite itself wasn't quite worth it, but you weren't paying for that. You were paying to be five hundred feet in the air. A once-in-a-lifetime opportunity to look down on millions of people or, if your head was big enough, have them look up at you.   The room was dark, lit ambiently by the neon city below. Three walls of the lounge area were made of huge panes of glass, offering a near-panoramic view.   "Take a seat," said the charcoal man. I stayed standing. "Fine. He'll be with you in a minute." With that, he turned on his heel and walked toward the door. He opened it just enough for a person to pass through and made sure that it closed quietly behind him.   Discretion.   As soon as it shut I went after him, my eye to the peephole. The hallway was completely deserted and I wondered if he could have moved that fast. For a second I thought he might have squatted down out of view, but the idea was too ridiculous.   "We're alone, Waits, if that's what you're wondering."   I turned to the voice. I could see the dark outline of a man against the glow of the city from outside.   "How'd you get the shiner?" he said, that unmistakable Oxbridge accent.   I touched my eye. "Right place at the right time."   "I thought Detective Kernick must have taken a dislike to you . . ."   "He did seem disappointed that someone beat him to it."   "That was the impression he gave me as well." The man stepped into the dim light and smiled. "I should introduce myself. David Rossiter, MP."   I crossed the room. He was a tall commanding presence. In his mid-forties, wearing a tailored suit and projecting the warmth of a good politician. He gave the firm handshake of a man who meets people for a living, using both hands to cup mine. His skin was warm but his wedding ring was cold to the touch.   "Do take a seat," he said. I sat down and after a slight pause, so did he. "Interesting."   "What's that, Mr. Rossiter?"   "I motioned to the seat on my left, you chose the one on my right--and call me David." I smiled, feeling a dull ache across both my eyes. "You're probably wondering why I asked you here, Aidan."   "Waits," I said. "I assume it's not a social call."   "Very well then, Waits. Do you follow politics?"   "Only when I can't help it."   He smiled again. When he smiled, he looked directly at me, assuring me each time that I had amused him in some special way. I'd seen him on the covers of newspapers, giving war criminals the same look.   "I wouldn't want to presume you know who I am."   "You're David Rossiter, MP."   "And what do you know of my career?" he said, cradling the last word.   "Only what the papers say."   "You should know better than most not to believe what the papers say. Disgraced Detective Aidan Waits . . ."   I ignored him. "Your father was an MP and did all right out of it. You were more idealistic, though; when your brother went into frontline politics, you were still grifting it as a barrister. You married young and it worked. But I suppose a man would make it work with a vodka heiress."   The smile again.   "You got into politics at a funny time. The Tories had spent four years out of power, and another four after you joined. In spite of that you brought credibility to the old boys. Didn't toe the party line, spoke in favor of gay marriage, women's rights. Even immigration. Just the right kind of reckless to be a cabinet MP. It was no surprise when you were made Secretary of State for Justice, particularly with the law background. And I suppose it helps that you're a well-turned-out family man with two good-looking girls." Excerpted from Sirens by Joseph Knox All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Publishers Weekly Review

British author Knox's impressive debut plunges the reader into the darkest corners of Manchester's druggy club scene. When David Rossiter, a powerful politician, seeks help tracking down his wayward 17-year-old daughter, Isabelle, now in the orbit of drug kingpin Zain Carver, the police brass select Det. Aidan Waits, a disgraced undercover officer caught tampering with evidence, as the man for the job. Waits must go after Carver and the corrupt officers who keep him in business with little support and only the merest hope of professional and personal redemption. Waits's youth makes his being so hard-boiled a bit implausible, but Knox sets a dizzying pace and convincingly evokes the murky, unbalanced atmosphere of an empire built around drugs and money with vivid prose. As Waits, himself a drug user, peels back the layers of old cases and past loyalties, the stakes rise for him and several young women in the middle of Manchester's nightlife maelstrom. The hard-hitting action builds to a bleak, wrenching conclusion because, of course, not everyone can be saved. Agents: Antony Topping and Dan Lazar, Writers House. (Feb.) © Copyright PWxyz, LLC. All rights reserved.

Booklist Review

*Starred Review* Detective Constable Aidan Waits agrees to infiltrate Manchester's most violent drug organization, hoping to save his career after his reputation is tarnished by a charge that he stole meth from police evidence. The Franchise's charismatic leader, Zain Carver, has established a virtually impenetrable system of drug sales in bars, with collections handled by a group of beautiful young women known as Sirens, who represent Aidan's best opportunity for an in, but before he can move, his operation is complicated by his superintendent's insistence that he use his undercover access to gather information on MP David Rossiter's runaway daughter, Isabelle, who has joined the Franchise. Posing as a dirty cop, Aidan slowly gains access to Carver and Isabelle, but his investigation turns sideways as he begins to suspect that Isabelle ran to Carver to escape something more dangerous. When Aidan finds Isabelle overdosed on a bad batch of heroin, he suspects murder but must juggle his off-record investigation while hunting for the rest of the batch in the midst of a freshly sparked gang war. Waits' voice is a compelling mix of sharp realism and regret that plays well against the gritty, perpetually shrouded Manchester setting. Hard-boiled fans will appreciate this debut's deep dive into the underworld and its well-concealed twists; a perfect choice for readers who like their heroes a bit battered.--Tran, Christine Copyright 2017 Booklist

Kirkus Book Review

On the outs since being caught stealing drugs from the evidence room, Manchester police detective Aidan Waits is pressured by a superior into posing as a bounced cop to investigate a top drug dealer and hired by a member of Parliament to find and report back on his runaway teenage daughter.The dealer is Zain Carver, a slick operator whose stroke of brilliance is to sell drugs at the bars and clubs he owns, with the bar manager distributing the goods and an attractive female employee collecting the money. Conveniently enough for the damaged Waits, who narrates the novel through a cocaine haze, the MP's down-and-out 17-year-old, Isabelle, has fallen in with Carver. The deeper Waits pushes into a world of ruthless drug bosses, dirty cops, and corrupt politicians, the more he opens himself up to abusethere's hardly a scene in which he isn't receiving or recovering from a serious beating. But after falling for one of Carver's collection girls and awakening to Isabelle's dire predicament, he becomes determined to do good. The book is longer than it needs to be, losing sight for long stretches of the key disappearance a decade ago of a woman who was preparing to testify against Carver. But Knox, taking a cue from legendary Manchester band Joy Division's doom-laden romanticism, is brilliantly in command of the book's unusual blend of horrific and hopeful. And in what other crime novel are you going to learn that ultraviolet lighting is used in certain clubs so addicts wanting to shoot up can't see the veins in their arms?A powerfully assured debut by a British novelist who has the potential to be a leading player in modern noir. Copyright Kirkus Reviews, used with permission.