Enhanced descriptions from Syndetics:

From the bestselling author of THE WEIRD SISTERS comes an enchanting tale of self-discovery that will strike a chord with anyone who has ever felt they've lost their way.

'I adored The Light of Paris. It's so lovely and big-hearted' JOJO MOYES

'Soulfulness and emotional insight meet laugh-out-loud humour' PAULA McLAIN, author of The Paris Wife

Chicago, 1999.

Madeleine is trapped - by her family's expectations, by her controlling husband - in an unhappy marriage and a life she never wanted. But when she finds a diary detailing her grandmother Margie's trip to Jazz Age Paris, she meets a woman she never knew: a dreamer who defied her strict family and spent a summer living on her own, and falling for a charismatic artist.

When Madeleine's marriage is threatened, she escapes to her hometown to stay with her disapproving mother. Shaken by the revelation of a family secret and inspired by her grandmother's bravery, Madeleine creates her own summer of joy. In reconnecting with her love of painting and cultivating a new circle of friends, the chance of a new life emerges - but will she be bold enough take it?

Reviews provided by Syndetics

Library Journal Review

Taking a break from an emotionally cold marriage, artist Madeleine visits her mother in Magnolia, a town that Madeleine had always thought to be too image-conscious, filled with ladies who lunch and fundraisers for the Junior League. Her old hometown has opened up in surprising ways, and not every woman in the Ladies Association is as shallow as Madeleine expected them to be. She also discovers that her mother is selling her longtime residence and moving into a condo. While packing up the attic, Madeleine uncovers the boxes of journals that her grandmother Margie kept as a young woman in 1924. Margie also had worried that she was going to leave herself behind once she got married and spent an extended period of time in Paris, falling in love with the city and a young artist, -Sebastien. Stylistically less daring than Brown's previous title (The Weird Sisters), this book still manages to plumb the difference between the things in life that give us joy and the things that we do to stifle that joy. VERDICT For all fans of intelligent women's literature.[See Prepub Alert, 2/21/16.]--Jennifer Mills, -Shorewood-Troy Lib., IL © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Booklist Review

Madeleine suffers from an unhappy marriage, a less-than-perfect mother, a controlling husband, and her own self-doubt. She feels trapped in a life she didn't so much choose as fall in line with. Things begin to change when she finds her grandmother's diary. Margie seemed perfect the kind of woman Madeleine thought she should be but the diary reveals another side to her grandmother. As she reads, Madeleine learns about a summer trip to 1920s Paris, where Margie lived on her own, sat in cafés, made new friends, and fell in love. Margie's story inspires Madeleine to create a life of her own choosing, as she rekindles her artistic passions and widens her social circle. Brown (The Weird Sisters, 2012) has created a charming, enjoyable read that alternates between time periods and points of view.--Milone Hill, Nanci Copyright 2016 Booklist

Kirkus Book Review

The lights of Paris act as a beacon for two generations of women in search of self-determination and fulfillment in Brown's (The Weird Sisters, 2011, etc.) story of loves lost and found. Unhappily married Madeleine resents, quietly and inwardly, the strictures placed upon her by her controlling and ambitious husband, Phillip, and chafes against her perfectionist mother's expectations. Torn between a stultifying existence as a trophy wife and her lifelong but abandoned passion for painting, Madeleine embarks on a voyage of self-discovery, sparked by the unearthing of her grandmother's diaries in the attic of her mother's house. Inspired by the long-buried story of her grandmother Margie's experiences in the Paris of the Lost Generation, Madeleine moves toward an understanding of what will help her navigate through the world on her own terms. With a voice that alternates every other chapter between Madeleine's narration and excerpts from Margie's recovered journals, Brown conveys the miseries and satisfactions of women's journeys toward happiness in a tale balanced upon a family secret. While some charactersor their motivationsmight have benefited from more fleshing out (Phillip is a stock controlling husband), the whimsy and romance of post-World War I Paris and Madeleine's growing comfort with her newly reconstructed life (in a hometown that had previously brought only unhappiness) provide forward momentum. As Madeleine unravels the truths behind her grandmother's story, she gathers insight into her own, equally complicated, story. With growing self-confidence and the aid of rediscovered friends and relatives, Madeleine approaches life in a different light and with the ability to make hard choices. Brown conveys the importance of the arts in creating a life as well as the need to heed all voices, even those from the past, in looking to the future. Copyright Kirkus Reviews, used with permission.